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filmscanners: VueScan, LS30 & Workflow
It seems intuitive to start by getting the maximum information out of the
scanner and then make as few changes as possible - and as small as possible -
to get the desired image. Perhaps I'll be able to do this one day. Yes, even
one day would be nice :)
Using VueScan one can set black point to zero and white point to 0.001. But
this generally leaves a flat image which needs correcting by levels or curves.
Alternatively, VS's white point can be increased until none of RGB exceed 250 -
255 (for simplicity assume no specular highlights, also, there is rarely a need
to change the black point). Doing this necessitates:
Do
a full scan
export to editor with histogram function
look at max levels for each of RGB
guesstimate change of white point
until RGB close to but not exceeding 255
This gets the most out of the scanner and is somewhat similar to Ralf Schmode's
workflow using Nikonscan. However, Ralf can do this in Nikonscan from a
preview before ever doing a full scan. Even using the histogram in VuePrint
(which loads files quickly) the time taken to carry out the process makes it
unworkable.
I have wondered if any difference results from using VS's white point setting
so that the image uses the full range of the histogram compared with the image
using only part of the histogram range and adjusting in Photoshop using curves
or levels.
I recently downloaded IrfanView to use for thumbnails and, looking around the
menus, noticed a Count Colors Used function. Scanning a raw VS file and using
different white points, I took a note of the number of colours used. I then
loaded these files into Photoshop and did auto levels on RGB with black and
white points set to clip 0.00%. The numbers came out like this, colours are in
thousands and rounded to 3 sig figs:
White VS VS max PS
Point Clrs R G B Clrs
0.001 574 205 204 208 573
0.040 816 249 248 253 816
0.100 832 253 255 255 798*
1.000 879 255 255 255 879
The 0.04 setting gives about the right level of maximum RGB. Another negative
produced a similar pattern of results but required a white point of 0.15 for
optimum results. I have not done any other tests. It seems that one can get
40% more colours from VS by stretching the image to fit the histogram by
adjusting the white point. Even more colours are produced where the white
point is set to clip the highlights. This is all very well but what the hell
does it mean? Should I be setting the white point to just below clipping
before scanning?
Bob Armstrong
* Weird. It seems that PS does something strange around the clipping point
when clipped and unclipped channels are present. Both 0.04 & 1.0 each produced
exactly the same number of colours from VS and PS.
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