Filmscanners mailing list archive (filmscanners@halftone.co.uk)
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
RE: filmscanners: pushing dynamic range on the nikon 4000ed
> -----Original Message-----
> From: owner-filmscanners@halftone.co.uk
> [mailto:owner-filmscanners@halftone.co.uk]On Behalf Of Bill Fernandez
> Sent: 18 November 2001 20:57
> To: filmscanners@halftone.co.uk
> Cc: filmscanners@halftone.co.uk
> Subject: Re: filmscanners: pushing dynamic range on the nikon 4000ed
Excellent posting Bill. Pity I don't scan slides nor print my scans.
Still, insightful.
> o By the way, a cool trick for comparing a scan displayed on the
> screen to the original slide is to open an empty window with a white
> background and hold the slide up to it, using the monitor as a light
> table that is perfectly matched in color temperature, spectral
> distribution and intensity to...your monitor.
I have done this in the past.
It occurred to me this week that this is not the right thing to do (I was
looking at some slide-scanning samples I've published on the web and
thinking about their colour). Because slides are designed to be viewed
using lighting of 5000-5500K (as far as I can tell).
Windows users normally have a monitor defaulted to 6500K (or with Dell
monitors 9300K for some reason - gah!!!). I have my PC "calibrated", using
Adobe Gamma, around a 6500K target.
Frankly, I dislike monitors calibrated for a 5000K white point. I find I
can "see" it. Strange, as human perception is supposed to be fully adapted
for the range 5000-5500K (or thereabouts). I really don't know why 5000K
disturbs me. I have the same problem with monitors set to 9300K. I never
adapt to it. But I expect that.
Anyhow, if you have a Mac, your system is probably calibrated around 5000K,
as far as I understand it. So the "slide against the screen" trick should
be more truthful.
Jawed
|