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[filmscanners] Re:24bit vs more
- To: lexa@lexa.ru
- Subject: [filmscanners] Re:24bit vs more
- From: "Rob Geraghty" <robg@wordweb.com>
- Date: Mon, 15 Sep 2003 19:30:00 +1000
- References: <3F6160BD000EBA82@mta2.wss.scd.yahoo.com> (added by postmaster@mail.san.yahoo.com)
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"Austin Franklin" <austin@darkroom.com> wrote:
> You should either get raw data from the scanner, or do the setpoints/tonal
> curves "correctly" in the scanner software. Keep in mind, every time you
> re-do setpoints/tonal curves, you are degrading the data. It's just a
fact
> of how setpoints/tonal curves work. What the significance of that
> degradation is, will vary greatly, so it may not be *that* bad...but why
do
> things twice when you can do them right the first time?
Are you saying this applies when using Vuescan - especially with negs? Or
are you assuming the sort of interface that Nikonscan provides?
> > Getting the *right* 24
> > bits can sometimes better be done with an image editing program than the
> > scanner's interface.
> I understand that some scanner software is lacking, and that is where you
> simply should get raw data from the scanner, and learn how to do a better
> job of setpoints and tonal curves in PS.
OK, then I think we agree? Other than what you mean by "raw data". I
wouldn't ever attempt to use an editor (I don't own PS by the way) to do
what Vuescan does to go from the raw scanner output from a neg to produce a
positive image.
Rob
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