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[filmscanners] RE: the histogram in Nikonscan
I don't set the output black point above 0, because I prefer to have true
black in my pictures.
By default when Nikon Scan scans a negative it sets the output black point
to about 20. I find this annoying. I have a Luminosity curve permanently
setup within NS to correct this - basically it's like setting the input
black point to 0 and the gamma to 1.15. Roughly speaking... (the curve
doesn't have a sharp corner in it which is what you get if you set the black
point to 0 - I find this helps shadow detail avoid posterisation if I want
to perform further work in PS).
Jawed
> -----Original Message-----
> From: filmscanners_owner@halftone.co.uk
> [mailto:filmscanners_owner@halftone.co.uk] On Behalf Of Ed Verkaik
> Sent: 20 January 2004 06:43
> To: Jawed@cupidity.force9.co.uk
> Subject: [filmscanners] Re: the histogram in Nikonscan
>
>
> From: "Jawed Ashraf" <Jawed@cupidity.force9.co.uk>
> Which slider to move? Any! When I first started scanning I
> only ever used
> to use the Input sliders (black point, gamma and white
> point). Then after a
> few months I progressed onto using Curves,
> >>
>
> Thanks, Jawed, for the advice and links. I've been scanning
> for a little while
> with reasonable results and am willing to trade some quality
> for simplicity and
> volume. I do not want to attain "perfection" for most scans,
> and cannot see
> myself becoming a dedicated PS user. That is just too much
> time spent on a
> computer for me!! For most scans I want a quick solution; the
> very best ones
> will be dealt with later after I experiment with PS further.
>
> Back to the output blackpoint slider in Nikonscan Curves...
> can anyone tell me
> exactly when they have used it? Is this choice as simple as
> balancing the
> advantages of the added light against the drawback of the
> decreased contrast? I
> would prefer to use this method, where appropriate, rather
> than the full-blown
> PS solutions for high contrast images. I just want to hear
> if others use it,
> when, and why (or why not).
>
> Ed Verkaik
>
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